EFS Technical Series: Some Must Watch While Some Must Sleep


Michael Higgins

1/26/20242 min read

Some Must Watch, While Some Must Sleep was shot across 25 rolls of Kodak Tri-X Reversal and five rolls of Kodak Vision 3 200T Negative using a SANYO Super 8 camera with automatic exposure settings at 18fps. The shooting took place over a 4 week period in the summer of 2011, and the stock was purchased from Kodak, Vancouver.  I hand-processed all the b/w reversal stock as negative using a Lomo Developing Tank with 100ft (2x50ft) capacity.

TIMES: Developer (Rodinal One Shot) – 7mins , Stop Bath (Vinegar & Water) – 1min and Fix (IIford) – 10min

I exhausted the chemicals, adding about 20% time/100ft and changed every 300ft. At times, the film would load incorrectly, causing undeveloped areas of the emulsion and blemishes. Other than that, it was relatively clean. The telecine process involved a damaged SONY V1 HDV camcorder pointing directly into a Super 8 projector lens, allowing me to focus directly on the grain of the film. I boosted the gain on the camcorder, causing a bit of digital noise, and due to the telecine process being done in colour, a blue tint occurred on the negative, resulting in a sepia tone when inverted. Further ‘defects’ arose from this process, such as hairs in the gate and an occasional scratch on the film.  Once ingested, the HDV footage was edited using FCP 7 and graded using FCP’s Color. The grading involved the inversion of negative to positive, a push in contrast, a general balancing from shot to shot and de-saturation of the footage in the final sequence. The audio was entirely recorded using a small tape cassette walkman/recorder, digitised through Audacity and edited in FCP 7. The colour stock was processed by The Widescreen Centre in London and telecined by myself in the same way as mentioned above. I’m planning to do a cut with the processed film itself, whether this results in the same edit or not I’m not sure but I imagine it will take on new characteristics resulting in an alternate version.

“EFS Technical Series focuses purely on the technical sides of experimental filmmaking and explains the different approaches that the filmmakers have taken in order to achieve a specific result in their film/video.”