Le Cinéma Remoderniste by Florian Maricourt
A 244-page Sorbonne study of Remodernist cinema, directed by Nicole Brenez, in which Rashidi and EFS figure prominently. Preserved complete, in French, as a downloadable document.
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Cyanide Is the Warmest Word: An Interview with Dean Kavanagh, Maximilian Le Cain and Rouzbeh Rashidi
Dean Kavanagh, Maximilian Le Cain and Rouzbeh Rashidi on Cinema Cyanide — noise as the nemesis of ambient music’s logic, and sound freed from the image.
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Landscapes of Stillness
A note on Persistencies of Sadness & Still Days (2012), the collaboration between Rouzbeh Rashidi and Maximilian Le Cain By Gianluca Pulsoni · 2012 Persistencies of Sadness & Still Days is an engaging work emerging from a vital strand of recent European film production and research: that of Ireland. More specifically, it is a remarkable…
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Experimental Film Society: Rouzbeh Rashidi in Conversation
An interview with Rouzbeh Rashidi Experimental Conversations, Issue 8: Winter 2011 There is a strong argument to be made that Iranian born, Dublin-based experimental filmmaker Rouzbeh Rashidi is the leading figure in Ireland’s underground alternative film scene today. Before even watching his work, the sheer volume of his output startles. With twelve features and sixty…
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Rouzbeh Rashidi’s ‘Bipedality’
On Bipedality (2010) By Maximilian Le Cain · Experimental Conversations, Issue 6: Winter 2010 The standard modus operandi of mainstream film is to lead the viewer by the hand through the events and feelings that it causes to unfold, to steadily unveil its trajectories in carefully regulated phases that ensure the audience is never lost….
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The Problem of Spirituality in the Manifesto: An Interview with Rouzbeh Rashidi
Shargh newspaper meets Rashidi in 2010 — Remodernism, Super 8, and a cinema built from images rather than screenplays. Facsimile with full English translation.
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Meaningfully on the Margins
On Donal Foreman, Rouzbeh Rashidi and Maximilian Le Cain By Tony McKibbin · (An)Other Irish Cinema · 2010 ( An)Other Irish Cinema is a recently-formed group of three filmmakers based in Ireland who have been prolifically, if quietly, creative over the past decade. Donal Foreman, Rouzbeh Rashidi and Maximilian Le Cain are linked by a…
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Notes on Alternatives: The Politics of (An)Other Irish Cinema
On the (An)Other Irish Cinema project — the films of Donal Foreman, Maximilian Le Cain and Rouzbeh Rashidi By Joseph Noonan Ganley · (An)Other Irish Cinema · 2010 The title ‘(An)Other Irish Cinema’ – a project involving the films of Donal Foreman, Maximilian Le Cain and Rouzbeh Rashidi suggests and contextualises the films as primarily…
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Interview with Rouzbeh Rashidi (7th Art Magazine)
A 2007 student-magazine profile from Dublin — no script, no storyboard, small crews, and the making and breaking of rules.
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Subjects Are Always There: An Interview with Rouzbeh Rashidi
The earliest press interview with Rashidi — Tehran, 2003, aged twenty-four. Photo-novels, silent cinema, and the coming wave of digital filmmaking. Facsimile with full English translation.
