EFS Publications

Ambient music as a way into Closure of Catharsis, shown at Café Kino, Bristol.

The text of Adrian Martin’s talk at the launch of Luminous Void: Twenty Years of Experimental Film Society — EFS as an art of living.

The complete technical anatomy of Some Must Watch While Some Must Sleep — Tri-X, hand-processing, and a Super 8 camera at 18 frames a second.

Two writers answer the audiovisual work of Vicky Langan and Maximilian Le Cain in kind — rhythm, reach, interference.

An attempt to order more than two hundred titles into a personal cartography of Japanese animation.

On James Fotopoulos, whose singular and uncompromising vision has challenged experimental film for two decades.

Rashidi and the fringe of the frame — off-screen space, the film’s unconscious, and the apron of hidden space at the edge of the picture.

Notes on Homo Sapiens Project volumes 11–20 and the century mark — I film, therefore I am.

Volume by volume through the first ten gatherings of the Homo Sapiens Project, where cinema itself seems to hold the camera.

A riddling descent toward Ghostland, by way of peacocks, strawberries and Scorpion’s Stone.

Jann Clavadetscher’s cinema as one of Cocteau’s wayward spiritual children — a metamorphic portrait.

Dreaming into the decaying analogue frames of Michael Higgins — from At One Fell Swoop to Drifting Cities.