EFS Publications

An interview with Hou Hsiao-hsien — patterns, moments in the flow, and the act of creation.

Clara Pais and Daniel Fawcett on a decade of The Underground Film Studio and their shamanic approach to Cinema.

Dean Kavanagh, Rouzbeh Rashidi and Maximilian Le Cain interviewed on the avant-garde idea in Irish cinema.

Programme notes for a Cork screening by one of Ireland’s most elusive and cinematically sophisticated filmmakers.

A cinema possessed by the aesthetics of interruption — written for Le Cain’s exhibition Available Light.

Open Night Cinema’s evocative rite: humanity compressed into an instant and enclosed.

On Frank Stapleton’s The Poorhouse, famine-era Ireland, and a film seldom seen since its single broadcast in 1996.

Rashidi breaks the rules — Bipedality against the formulaic constructions of commercial cinema.

Experimental narrative, that dreamed-of in-between form — and the films that finally realise it.

HE begins with an astronaut in a corridor — a reading of Rashidi and Devereaux’s oneiric feature.

To make a video as someone from another planet — Damp Access as ritual and expanded cinema.

An intimate evening of cinema in a derelict industrial site, somewhere between The Niklashausen Journey and Stalker.