EFS Publications

Fotopoulos, perhaps the greatest experimental filmmaker of his generation — a review of Dignity, republished for his New York retrospective.

Merlín and radical cinema’s last untamed frontier: not a personal voice but a whole personal language.

Rouzbeh Rashidi on EFS, the Remodernists, narrative, blackness, and pushing the camera to the point of destruction. Translated from the Persian.

Esperanza Collado, Michael Higgins, Dean Kavanagh and Atoosa Pourhosseini in conversation around the 2015 Tehran programmes. Translated from the Persian.

Natasha Bourke’s haunting installation — Coneface, 8mm relics, and circles of loss.

A nivological study of cinema: EFS films read through snow, miniature and immanence. In English and French.

Eyes and phantoms — the fourth edition of Bilbao’s weirdo/outer-limits film festival.

The migrating forms of James Fotopoulos — brilliant, idiosyncratic, stubbornly independent — on the occasion of his New York season.

A personal journey through the erotic, painterly and devastating cinema of Walerian Borowczyk.